Gallery Roundup: One Sentence Reviews of Select New York Exhibitions
Anne Truitt
Matthew Marks Gallery
523 W 24th Street
February 12—April 18, 2026
Coinciding with the sculptor’s first European retrospective at the Kunstsammlung Nordrhein-Westfalen in Düsseldorf (which will travel to the Musée de Grenoble in France before arriving at Madrid’s Museo Reina Sofia), this sensitively arranged exhibition in New York incorporates twelve intimately-scaled acrylic paintings on handmade paper from a never-before-seen series alongside three free-standing columnar sculptures for which the late artist is best known.
Matthew Marks Gallery
523 W 24th Street
February 12—April 18, 2026
Coinciding with the sculptor’s first European retrospective at the Kunstsammlung Nordrhein-Westfalen in Düsseldorf (which will travel to the Musée de Grenoble in France before arriving at Madrid’s Museo Reina Sofia), this sensitively arranged exhibition in New York incorporates twelve intimately-scaled acrylic paintings on handmade paper from a never-before-seen series alongside three free-standing columnar sculptures for which the late artist is best known.
Robert Gober
Matthew Marks Gallery
526 W 22nd Street
February 12—April 18, 2026
Five wall-mounted, diorama-like tableaux—each partitioned by a glass pane—are repositories of fastidiously crafted mimetic objects whose enigmatic configurations invariably produce a disquieting effect.
Matthew Marks Gallery
526 W 22nd Street
February 12—April 18, 2026
Five wall-mounted, diorama-like tableaux—each partitioned by a glass pane—are repositories of fastidiously crafted mimetic objects whose enigmatic configurations invariably produce a disquieting effect.
Emily Kraus
Luhring Augustine
17 White Street
April 12—June 13, 2026
In her New York debut, Emily Kraus’s procedurally-driven oil paintings (whose creation is aided by a purpose-built metal structure redolent of scaffolding that the artist has humorously referred to as her “hamster wheel”) conjure Jackson Pollock’s frenzied, gestural skeins across outsized canvases that seem to bridle against the architectural confines of Luhring Augustine’s Tribeca digs.
Luhring Augustine
17 White Street
April 12—June 13, 2026
In her New York debut, Emily Kraus’s procedurally-driven oil paintings (whose creation is aided by a purpose-built metal structure redolent of scaffolding that the artist has humorously referred to as her “hamster wheel”) conjure Jackson Pollock’s frenzied, gestural skeins across outsized canvases that seem to bridle against the architectural confines of Luhring Augustine’s Tribeca digs.
Kari Cholnoky
Nicelle Beauchene Gallery
7 Franklin Place
April 2—May 9, 2026
The ten mongrel works on view, several of which appear as though they could scurry up the walls at any moment, might be the perfect catalyst for a horror-obsessive seeking to induce a full-fledged nightmare during one’s waking hours.
Nicelle Beauchene Gallery
7 Franklin Place
April 2—May 9, 2026
The ten mongrel works on view, several of which appear as though they could scurry up the walls at any moment, might be the perfect catalyst for a horror-obsessive seeking to induce a full-fledged nightmare during one’s waking hours.
© 2026 Andy Martinelli Clark